片名:造物的奇迹
关键词:《造物的奇迹》在线观看
类型:科幻
发行年份:1925
首映地区:其它
导演:Hanns,Walter,Kornblum
演员:Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl
更新时间:2025-11-20 00:20:21
《造物的奇迹》讲述什么样的故事?
1、《造物的奇迹》是在哪一年上映的?
《造物的奇迹》是Hanns,Walter,Kornblum于1925年拍摄上映的一部经典科幻片。此片开创了其它当代科幻片的先河,《造物的奇迹》上映时票房稳坐国内外前三,创下当年最佳纪录。在当时Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl均为最佳演员,Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl以精彩演技和完美的形象,奠定在其它影视地位。Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl饰演角色多年后仍为大众争相模仿。Hanns,Walter,Kornblum之前曾被人怀疑其能力,而《造物的奇迹》却奠定Hanns,Walter,Kornblum科幻片风格。《造物的奇迹》首映时曾获海外科幻片和媒体广泛好评,被认为其优秀程度,是足以与同时期(指1980年代)好莱坞(好莱坞)优秀科幻片齐名。
2、被称为科幻片的开先河之作的《造物的奇迹》,是Hanns,Walter,Kornblum最好的作品吗?
从Hanns,Walter,Kornblum斩获科幻片最佳导演 我就觉得这部《造物的奇迹》是他最好的科幻片。虽然Hanns,Walter,Kornblum后来还拍出来了评价特别好的科幻片,但是《造物的奇迹》是他科幻片的代表作品。
3、《造物的奇迹》为什么能成为经典之作?
提起其它科幻片,人们就肯定会说出《造物的奇迹》的名字。这部由Hanns,Walter,Kornblum导演,Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl主演的《造物的奇迹》,在当时,真的是成为了一匹黑马,杀出了一条血路,创造了一个奇迹。为何会这么说,我想,就连Hanns,Walter,Kornblum导演和Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl,都没想到这部科幻片会得到这样好的反响。Hanns,Walter,Kornblum先生曾说过,这是一群失意的人凑到了一起创作出来的一部作品。因为在《造物的奇迹》开拍之前,Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl已经有4年无戏可拍,而Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl主演的科幻片,票房始终不理想,这样的几个人凑在了一起,也真是缘分!所以,正是这样的失意感和强烈的自尊心,他们在科幻片中投入的热情,是我们难以想象的,其实《造物的奇迹》中的人物心理历程和感人的剧情,何尝不是现实中他们的真实写照呢?所以,他们怀着一腔心有不甘的英雄气,用他们的实力和人情成就了这部经典科幻片,也成就了他们自己!
4、如何评价《造物的奇迹》?
《造物的奇迹》口碑非常好深受广大观众喜爱,《造物的奇迹》一经播放立刻引来无数人关注,不仅Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl演的好而且该科幻片故事情节也非常紧凑,神马影院(slkygs.com)观看起来特别流畅同时还能扣人心弦,即使目前《造物的奇迹》收视率不佳但是该片目前受欢迎程度已经蒸蒸日上。该科幻片主演Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl,她在该科幻片中的演技可圈可点,受到Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl演的好而且该科幻片迷的认可。
5、《造物的奇迹》科幻片的主要内容
《造物的奇迹》是一部科幻片科幻片,由导演:Hanns,Walter,Kornblum执导,主演:Margarete,Schön,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl,
6、《造物的奇迹》是Hanns,Walter,Kornblum导演的一部经典的科幻其它片大全,该剧讲述了:Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human k,想看更多的相关影视作品,请收藏我们的网站:slkygs.com
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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