《芳心封鎖》讲述什么样的故事？
The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
1、《芳心封鎖》是在哪一年上映的？
《芳心封鎖》是Gilberto,Tofano于1969年拍摄上映的一部经典剧情片。此片开创了其它当代剧情片的先河，《芳心封鎖》上映时票房稳坐国内外前三，创下当年最佳纪录。在当时Gila,Almagor均为最佳演员，Gila,Almagor以精彩演技和完美的形象，奠定在其它影视地位。Gila,Almagor饰演角色多年后仍为大众争相模仿。Gilberto,Tofano之前曾被人怀疑其能力，而《芳心封鎖》却奠定Gilberto,Tofano剧情片风格。《芳心封鎖》首映时曾获海外剧情片和媒体广泛好评，被认为其优秀程度，是足以与同时期（指1980年代）好莱坞（好莱坞）优秀剧情片齐名。
2、被称为剧情片的开先河之作的《芳心封鎖》，是Gilberto,Tofano最好的作品吗?
从Gilberto,Tofano斩获剧情片最佳导演 我就觉得这部《芳心封鎖》是他最好的剧情片。虽然Gilberto,Tofano后来还拍出来了评价特别好的剧情片，但是《芳心封鎖》是他剧情片的代表作品。
3、《芳心封鎖》为什么能成为经典之作？
提起其它剧情片，人们就肯定会说出《芳心封鎖》的名字。这部由Gilberto,Tofano导演，Gila,Almagor主演的《芳心封鎖》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连Gilberto,Tofano导演和Gila,Almagor，都没想到这部剧情片会得到这样好的反响。Gilberto,Tofano先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《芳心封鎖》开拍之前，Gila,Almagor已经有4年无戏可拍，而Gila,Almagor主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《芳心封鎖》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！
4、如何评价《芳心封鎖》?
《芳心封鎖》口碑非常好深受广大观众喜爱，《芳心封鎖》一经播放立刻引来无数人关注，不仅Gila,Almagor演的好而且该剧情片故事情节也非常紧凑，神马影院（slkygs.com）观看起来特别流畅同时还能扣人心弦，即使目前《芳心封鎖》收视率不佳但是该片目前受欢迎程度已经蒸蒸日上。该剧情片主演Gila,Almagor，她在该剧情片中的演技可圈可点，受到Gila,Almagor演的好而且该剧情片迷的认可。
5、《芳心封鎖》剧情片的主要内容
《芳心封鎖》是一部剧情片剧情片，由导演：Gilberto,Tofano执导，主演：Gila,Almagor，
The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
6、《芳心封鎖》是Gilberto,Tofano导演的一部经典的剧情其它片大全，该剧讲述了：The issue of War widow representation in Israeli cinema is one of the most complex for the local ind，想看更多的相关影视作品，请收藏我们的网站：slkygs.com
The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
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