《总路线》讲述什么样的故事？
Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
1、《总路线》是在哪一年上映的？
《总路线》是谢尔盖·爱森斯坦,格里高利·亚历山德罗夫于1929年拍摄上映的一部经典剧情片。此片开创了其它当代剧情片的先河，《总路线》上映时票房稳坐国内外前三，创下当年最佳纪录。在当时Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev均为最佳演员，Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev以精彩演技和完美的形象，奠定在其它影视地位。Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev饰演角色多年后仍为大众争相模仿。谢尔盖·爱森斯坦,格里高利·亚历山德罗夫之前曾被人怀疑其能力，而《总路线》却奠定谢尔盖·爱森斯坦,格里高利·亚历山德罗夫剧情片风格。《总路线》首映时曾获海外剧情片和媒体广泛好评，被认为其优秀程度，是足以与同时期（指1980年代）好莱坞（好莱坞）优秀剧情片齐名。
2、被称为剧情片的开先河之作的《总路线》，是谢尔盖·爱森斯坦,格里高利·亚历山德罗夫最好的作品吗?
从谢尔盖·爱森斯坦,格里高利·亚历山德罗夫斩获剧情片最佳导演 我就觉得这部《总路线》是他最好的剧情片。虽然谢尔盖·爱森斯坦,格里高利·亚历山德罗夫后来还拍出来了评价特别好的剧情片，但是《总路线》是他剧情片的代表作品。
3、《总路线》为什么能成为经典之作？
提起其它剧情片，人们就肯定会说出《总路线》的名字。这部由谢尔盖·爱森斯坦,格里高利·亚历山德罗夫导演，Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev主演的《总路线》，在当时，真的是成为了一匹黑马，杀出了一条血路，创造了一个奇迹。为何会这么说，我想，就连谢尔盖·爱森斯坦,格里高利·亚历山德罗夫导演和Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev，都没想到这部剧情片会得到这样好的反响。谢尔盖·爱森斯坦,格里高利·亚历山德罗夫先生曾说过，这是一群失意的人凑到了一起创作出来的一部作品。因为在《总路线》开拍之前，Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev已经有4年无戏可拍，而Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev主演的剧情片，票房始终不理想，这样的几个人凑在了一起，也真是缘分！所以，正是这样的失意感和强烈的自尊心，他们在剧情片中投入的热情，是我们难以想象的，其实《总路线》中的人物心理历程和感人的剧情，何尝不是现实中他们的真实写照呢？所以，他们怀着一腔心有不甘的英雄气，用他们的实力和人情成就了这部经典剧情片，也成就了他们自己！
4、如何评价《总路线》?
《总路线》口碑非常好深受广大观众喜爱，《总路线》一经播放立刻引来无数人关注，不仅Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev演的好而且该剧情片故事情节也非常紧凑，神马影院（slkygs.com）观看起来特别流畅同时还能扣人心弦，即使目前《总路线》收视率不佳但是该片目前受欢迎程度已经蒸蒸日上。该剧情片主演Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev，她在该剧情片中的演技可圈可点，受到Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev演的好而且该剧情片迷的认可。
5、《总路线》剧情片的主要内容
《总路线》是一部剧情片剧情片，由导演：谢尔盖·爱森斯坦,格里高利·亚历山德罗夫执导，主演：Marfa,Lapkina,M.,Ivanin,Konstantin,Vasilyev，
Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
6、《总路线》是谢尔盖·爱森斯坦,格里高利·亚历山德罗夫导演的一部经典的剧情其它片大全，该剧讲述了：Due to some common interests between German and Russian aristocracy ( the Russians even had aristocr，想看更多的相关影视作品，请收藏我们的网站：slkygs.com
Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
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